Yumi Hogan’s massive painting “Untitled 50” (2010), which measures four by 14 feet, leaps off the wall from across the gallery. But upon closer inspection, the sumi ink painting on Korean hanji paper, displays intricate details: mountains, trees, grass, and rocks. The work somehow manages to be both large and small, bold and gentle at the same time.
Yumi Hogan: Cultural Traditions Unbounded
University of Maryland University College Arts Program features works by Korean-born artist and First Lady of Maryland Yumi Hogan at its upcoming exhibition “Cultural Traditions Unbounded,” May 6 to June 30 in the Dorothy L. and Henry A. Rosenberg Jr. Painting Gallery at the Leroy Merritt Center for the Art of Joseph Sheppard, Adelphi, Maryland. The exhibit’s opening reception will be held Wednesday evening, May 8.
Kaya Abramson had known for a few days that she was one of the top winners at the inaugural Maryland High School Juried Art Exhibition at University of Maryland University College, but she didn’t know she’d won the first prize until the name of the second prize winner was announced.
University of Maryland University College Arts Program opens its 2019 exhibition season with the Maryland High School Juried Art Exhibition, the premier visual arts competition for students across the state. The show, featuring works in all mediums, provides students the opportunity to enhance their classroom learning while celebrating their artistic achievement.
Floyd Coleman’s dad kept quiet about his son’s whereabouts when two Ku Klux Klan members showed up at his Alabama home in 1960. Coleman, then an Alabama State University student, and his roommate were inspired by the Greensboro, North Carolina, sit-ins and decided to organize their own Jim Crow protests at the university. After the Klansmen left, Coleman’s father phoned him at school.
“Don’t stop your activism. Don’t stop the sit-ins,” Coleman’s father told him. “But don’t come home.”
Joint Art Exhibition Features Artist and Mentor
University of Maryland University College (UMUC) celebrates artists Floyd Coleman and Hayward Oubre in a joint exhibition on view Sept. 30 through Jan. 20 at the UMUC Arts Program Gallery, lower level, College Park Marriott Hotel & Conference Center, Adelphi, Maryland.
Years ago, Eric Key, director of the University of Maryland University College (UMUC) Arts Program, and artist Paul Reed agreed to put on a one-man show of Reed’s work at the university. Key had visited the painter, one of the founders of the Washington Color School, in his Virginia home to discuss the exhibit, and planning for the solo exhibit had begun. Then Reed called to tell Key that, unfortunately, he didn’t have time for the one-man show.
“Richmond has a totally different energy than it did five or six years ago,” said artist Hamilton Glass, who counts about 80 of his murals in the Richmond, Virginia, area. Glass, a Philadelphia native, was standing in the entrance to the new Institute for Contemporary Art (ICA) at Virginia Commonwealth University where a group of art lovers participating in a daylong University of Maryland University College (UMUC) art trip became the first adult group to tour the new museum, which opened to the public on April 21.
The latest exhibition at the U.S. District Courthouse in Greenbelt, Maryland, features the photography of William Anderson, Mignonette Dooley, and Bruce McNeil and presents three unique perspectives on the world through the lenses of these diverse and dynamic photographers, who each have used his or her own life experiences and mastery of the camera to produce images that make viewers think, wonder, and smile.
When asked to explain abstract painting, the kind of artwork that is often a punching bag for criticism along the lines of “My toddler could paint that,” Eric Key tells people that the work is already achieving its purpose.
“If you’re asking me that question, you’re already beginning to think, and that’s what education is about,” said Key, Arts Program director at University of Maryland University College (UMUC.)
If the person asking persists, Key recommends dwelling on a single painting. “Just stand there and look at one piece. If it triggers you to say why this, or what’s that, or any of those kinds of questions, you’re automatically beginning to understand what abstraction is.”